This blog entry will be an extension of my last blog post. Since the assigned readings for this week are about the "Caves of the Thousand Buddhas," I will continue the topic of the diversity of the Buddhist practices and rituals by exploring the artifacts found at this site. I am also fascinated by the changes that occur in Buddhism as it moves along the Silk Road.
The diversity and range of Buddhist practices and rituals that exist among the members of different Buddhist communities are quite remarkable. The question then becomes what links all these communities together. Is it their scripture? Or perhaps what links them together is their shared goal of achieving enlightenment. It appears that we cannot assume a single, unchanging core for Buddhism. Buddhism, like many other traditions, has unfolded in the context over time. It spread from India to many different countries. In the process of spreading along the trade routes of the Silk Road, Buddhism influences various cultures and religions and it also is influenced by the religions and customs of its host countries. Even though all Budhhists seek enlightenment, each community has developed new practices and rituals for achieving this end. Thus, since Buddhism is not a simple abstraction or a series of rigid prescribed practices, it seems more appropriate to talk about Buddhism as a tradition rather than a religion.
The Caves of the Thousand Buddhas near Dunhuang (in China) are home to precious and ancient Buddhist art. Historically, Dunhuang was a large oasis settlement that was located near the junction of the Northern and Southern Silk Roads. Animals, plants, valuable stones, art works, clothing and fashion, along with customs and religions travelled in both directions between Western countries and China. Buddhism was introduced to China in the first half of the first century BC through the Silk Road. Buddhist texts (a confusing mix of
Mahayana and
Hinayana sutras), monastic rules, Buddhist paintings, spells, and talismans were brought to China by foreigners. These texts needed to be translated into Chinese. Later on, Chinese Buddhist monks also travelled along the Silk Road to Central Asia and India to collect Buddhist scripture for translation into Chinese. Since the Buddha's teachings were written down years after he passed away, and because of the existence of many Chinese translations of these texts, doubts have arisen as to whether these texts have remained faithful to the initial teachings of the Buddha.
The Buddhist art in the caves of the Thousand Buddhas includes statues and painted walls. Buddhist texts and paintings were also discovered in cave 16 at Dunhuang. Most of the material discovered in this cave were Buddhist in content and were mostly in Chinese. However, texts belonging to religions other than Buddhism as well as secular texts were found in this cave. Dunhuang, in the first millennium, was a very important military town. It was initially part of the Chinese empire. However, this town fell under control of different empires of the regions among them were Tibetans and Mongols. Each rulling power contributed to this Buddhist cave art by painting the walls of the caves according to their own belief and artistic style. In addition, Dunhuang, because of its important location, was primarily occupied at this time by Tibetan and Chinese soldiers, along with merchants, monks, and others passing along the Silk Road. This diversity of languages and cultures is reflected in the languages and styles of paintings of the manuscripts and inscriptions found in the Caves of the Thousand Buddhas.